THE LOWDOWN:
EKTACHROME Film has a distinctive look that was the choice for generations of cinematographers. The film is known for its extremely fine grain, clean colors, great tones and contrasts.
KODAK EKTACHROME 100D Color Reversal Film is a 100-speed, color reversal motion picture camera film intended for photography under daylight illumination (5500K). It offers a moderately enhanced color saturation performance while maintaining a neutral gray scale and accurate flesh reproduction. This film has exceptional sharpness that is unsurpassed by any other 100-speed reversal film, and its grain performance is excellent. This film also offers very strong reciprocity uniformity and keeping stability. EKTACHROME Film offers outstanding results in outdoor and studio applications where moderate color saturation is desired. It is excellent for advertising, nature cinematography, documentaries, music videos, and is especially good for telecine transfers and television filming.
Features:
- Color Reversal Slide Film
- ISO 100
- Process in E-6 Chemicals
- Intended for photography in daylight illumination (5500K)
- Expect grain-less scans and enlargements.
- Produces clean, bright whites, neutral tone scale and outstanding skin tone reproduction
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When you buy 12+ rolls of any film combination in your order, we'll show our appreciation by throwing in an additional roll of mystery film - FREE. You won't know what it is until it arrives! (NOTE: this will not be added in checkout. But rest assured, we make sure to add something special to your order!)
Customer Reviews
As a longtime Fuji color reversal film aficionado I was hesitant to use Ektachrome, as the initial test images were too cool-toned for my taste. My caution was misplaced -- Ektachrome is truly excellent and versatile and, perhaps most importantly, readily available. For someone like me who uses a digital camera to scan my slides, I can't think of a film that is easier or more rewarding to work with than Ektachrome. Both example pictures were taken on a Mamiya RB67 and digitized using multiple stitched-together shots from a Sony a6000 with the 30mm macro lens.
